African Child, which channel do you use to reach out to the Continent? I know of people who use their work or jobs as a channel. They visit other African countries while working. I have two friends who’ve travelled extensively around the Continent. I still dream of a day when I will be sitting in their living rooms, toes wriggling excitedly after being set free from the throttle of smelly shoes, to draw the tales of their travel experience, from their memory. I cannot wait.
I also know of people who travel through the Continent
for the sole purpose of experiencing it, and then writing books about this. A
great brother, and story-teller, Sihle Khumalo, comes to mind. His book “Dark Continent
My Black Arse” is epic. If you don’t believe me, ask Javas Xanti who ransacked
the bookshops after reading my facebook postings about the book. I am sure that
Sihle’s follow-up “Almost Sleeping My Way To Timbuktu” is so much better that
Javas will retrieve his new copy from the bookshop at gun-point.
I have also used Credo Mutwa’s “Writings of a Zulu Witchdoctor” to glean into the Continent’s past moments. To cut the Isanusi’s long story short, Africans have been advancing through civilization for many years, long before the Arabs and Europeans came looking to trade, and to settle.
I have also been reading dreadful stories coming through writers like Robert Guest (The Shackled Continent) and George B. Ayittey (Africa Betrayed.) Dreadful as the stories being told may be, I appreciate the knowledge gained and therefore I am no longer naïve about the travesties pervading Mother continent.
I have also used Credo Mutwa’s “Writings of a Zulu Witchdoctor” to glean into the Continent’s past moments. To cut the Isanusi’s long story short, Africans have been advancing through civilization for many years, long before the Arabs and Europeans came looking to trade, and to settle.
I have also been reading dreadful stories coming through writers like Robert Guest (The Shackled Continent) and George B. Ayittey (Africa Betrayed.) Dreadful as the stories being told may be, I appreciate the knowledge gained and therefore I am no longer naïve about the travesties pervading Mother continent.
There is also hope and bliss in the Continent, in
abundance. Wangari Maathai’s book (Unbowed) comes to mind. It is a must-read. There
are women in this Continent who have stood up to political and patriarchal
tyranny and won, at least not literally but through raising consciousness and
helping the perpetrators to “heal”. The book will make you cry, if you haven’t
yet.
My most preferred channel of exploration is music. I have made instant friends through brokering the subject of music with other African siblings. To the uninitiated mind, my actions of cajoling siblings from Zimbabwe, Malawi, Nigeria, DRC, Kenya to share their music with me may seem bizarre. I know this because even my very own siblings, with whom my mother’s “mabele” (in Lingala, spoken in Congo) we have suckled, have given me those have-you-lost-your-mind looks every time I played north of Limpopo border artists.
I have been heckled for bothering them African fellows,
even accusing me of fooling around with the “things” I cannot understand. Yes,
I feel like I am using Ehis Ebhonu whenever I go to him, cap in hand, to beg
for more. I know a childhood friend who put an end to our music get-togethers
because while he still chills with Anthony Hamilton serenading his romantic sensibilities,
I am that one who nudges him out of his comfort zone by introducing the infectious
voice of Oumou Sangare (Mali), if not the bewitching allure of Rokia Traore’s guitar.
Need I mention that sad, far-away look of Kadja Nin from Burundi?
At least I have not lost a friend entirely.
There have been breakthroughs on the journey. Those who frown
at my actions do not know what it is like to drive around Joburg with a
Congolese companion in a car, just for a simple reason of listening to music. In
one or two Sundays I drove around with Jolly. The car was meandering through a
strangely absent Joburg traffic on Jan Smuts Avenue when Jolly rocked into
endless guffaws. Seeing a 27 year scouring the belly of Africa through music
must have struck her. Why would a guy working and living in Joburg develop an
interest in the Congolese music? What was wrong with R Kelly and Brenda Fassie?
It got worse for her when I asked her to interpret the lyrics in the song “colonisation”
by Madilu System. The song left her in stitches; a long story involving a man
castigating a woman who left her for a better (rich) man. But the melody of the
song, MaAfrika. Ah!
I forget to mention that I miss those Saturday afternoons
when I’d be driving from Joburg to Qwaqwa, and phoning Richard Nwamba in the
studio to marvel at him and the kind of sounds he would be churning out.
This journey has been fruitful. I have communicated with two or three African
musicians, bar the limitation of language in some instances, because of this
channel I am using. I have received invitations to visit some of the countries
because of this. I am going. Who is coming with me?
So, what is your channel to Africa, MoAfrika?
Happy Africa Day to you.